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Thursday, August 6, 2020 | History

4 edition of Perspectives on Mozart Performance (Cambridge Studies in Performance Practice) found in the catalog.

Perspectives on Mozart Performance (Cambridge Studies in Performance Practice)

  • 330 Want to read
  • 9 Currently reading

Published by Cambridge University Press .
Written in English

    Subjects:
  • Classical music (c 1750 to c 1830),
  • Composers & musicians,
  • Theory of music & musicology,
  • History & Criticism - By Composer,
  • Criticism and interpretation,
  • Music,
  • Music/Songbooks,
  • Performance practice (Music),
  • History,
  • Mozart, Wolfgang Amadeus,,
  • General,
  • Individual Composer & Musician,
  • Music / General,
  • Music-General,
  • 18th century,
  • 1756-1791

  • Edition Notes

    ContributionsR. Larry Todd (Editor), Peter Williams (Editor)
    The Physical Object
    FormatPaperback
    Number of Pages260
    ID Numbers
    Open LibraryOL7714073M
    ISBN 100521024064
    ISBN 109780521024068

      The Magic Flute was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera. David McVicar’s classic production embraces both. Barnes & Noble® has the best selection of Classical Classical Era CDs. Buy Mitsuko Uchida's album titled Perspectives: Mitsuko Uchida to enjoy in your home or car, or gift it to another music lover!Price: $

    Franz Xaver Süssmayr's completion (–2) is also re-appraised and the ideological underpinnings of modern completions assessed. Overall, the book affirms that Mozart's Requiem, fascinating for interacting musical, biographical, circumstantial and psychological reasons, cannot be fully appreciated by studying only Mozart's by: 1. I agree with the Boston Book Review's comments that Gay's biography of Mozart "provides valuable historical and familial perspectives through with to view the composer's life." I found the several chapters about the genres of music Mozart explored a bit tedious; perhaps a sophisticated musicologist would enjoy them more/5.

    Lyricism is when art is expressed in a beautiful or imaginative way, or when it has an expressive quality. Although the term lyricism is often used in conjunction with art composed of sound alone, it can also apply to all forms of art including performance, [3] architecture, [4] or film.   Much of this book reads like an iPod playlist: Johnson tells us what his favorite piano sonatas are, which violin sonatas “show Mozart at his best,” which operas he prefers and so on.


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Perspectives on Mozart Performance (Cambridge Studies in Performance Practice) Download PDF EPUB FB2

Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.

Several studies consider the eighteenth-century roots of Mozart's approach to performance Cited by: ISBN: OCLC Number: Description: xiv, pages: tables, music, facsimiles ; 26 cm: Contents: Mozart's trills / Paul Badura-Skoda --'Ich praeludirte und spielte Variazionen': Mozart the fortepianist / Katalin Komlós --Mozart's tempo indications and the problems of interpretation / Jean-Pierre Marty --On the problem of cadenzas in Mozart's violin concertos.

This book includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. Rating: (not yet rated) 0 with reviews - Be the first.

Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.

Several studies consider the eighteenth-century roots of Mozart's approach to performance and examine such issues as the role of ornamentation.

The Century of Bach & Mozart: Perspectives on Historiography, Composition, Theory & Performance (Harvard Publications in Music) Paperback – Septem /5(1). Find many great new & used options and get the best deals for Cambridge Studies in Performance Practice: Perspectives on Mozart Performance 1 (, Paperback) at the best online prices at eBay.

Free shipping for many products. Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series.

It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance. With Perspectives on Mozart Performance, the "Cambridge Studies in Performance Practice" debuts, a series intended to provide "a forum through which the most important current research may reach a wide range of musicologists, performers, teachers and all those who have come to regard.

Book Description. This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance.

Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.5/5(1).

PDF File: perspectives on mozart performance book by cambridge university press. mozart performance book by cambridge university press PDF. To get started finding perspectives on mozart performance book by cambridge university press, you are right to find our website which has a comprehensive collection of manuals listed.

Perspectives on Mozart Performance, published during the Mozart bicentennial year, is the first volume in a new series. It includes essays by distinguished musicologists and performers, each exploring a different aspect of Mozart's music in performance.

Perspectives on Historiography, Composition, Theory, and Performance, ed. Sean Gallagher and Thomas Forrest Kelly () For many today Johann Sebastian Bach and Wolfgang Amadeus Mozart stand as towering representatives of European music of the eighteenth century, composers whose works reflect intellectual, religious, and aesthetic trends of.

Whereas Wolff has claimed that Mozart "jealously guard [ed] his personal performance materials" (Christoph Wolff, "Cadenzas and Styles of Improvisation in Mozart's Piano Concertos," Perspectives on Mozart performance, ed.

Larry Todd and Peter Williams [Cambridge: Cambridge University Press, ], ), Zaslaw suggests that. Mozart's unfinished Requiem has long been shrouded in mystery.

Mozart undertook the commission for an Austrian nobleman, little knowing that he was to write a requiem for himself. Inevitably, the secrecy surrounding the anonymous commission, the circumstances of Mozart's death, the unfinished state of the work, and its completion under the direction of Mozart's widow, Constanze, have.

The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music.

Addressing topics as diverse as the historiography of eighteenth-century music, concepts of time and musical form, the idea of the musical work and its relation to publishing practices, compositional process, and performance practice, these essays together constitute a major contribution to eighteenth-century book had its origin in.

Book, Print in English The century of Bach and Mozart: perspectives on historiography, composition, theory, and performance edited by Sean Gallagher, Thomas Forrest Kelly.

Recommended Citation. Cole, Malcolm S. () ""Perspectives on Mozart Performance." By R. Larry Todd and Peter Williams," Performance Practice Review: Vol. 6: No. 1 Author: Malcolm S. Cole. Bach Perspectives. Bach Perspectives, inaugurated inis the leading English-language serial publication devoted to Bach volumes appear, on average, every other year, and feature cutting-edge research by top scholars in the field.

Leopold Mozart regarded the blots of ink put down on paper by the unskilled hand of a child with disbelief, realising that all notes were correctly arranged following contemporary musical rules. From this time on he also taught his son the art of composing: Wolfgang played the melodies on the piano and his father put the notes down on paper.Books shelved as mozart: Marrying Mozart by Stephanie Cowell, Mozart's Last Aria by Matt Rees, Mozart's Women: His Family, His Friends, His Music by Jane.For many today Johann Sebastian Bach and Wolfgang Amadeus Mozart stand as towering representatives of European music of the eighteenth century, composers whose works reflect intellectual, religious, and aesthetic trends of the period.

This collection of essays by leading authorities in the field offers a variety of new perspectives on the two composers, as well as some of their important.